Käthe Kollwitz II. The Process Is After All Like Music

Song Description

KATHE KOLLWITZ for Soprano and String Quartet Kathe Kollwitz was written in response to a commission from violist Julia Adams for a work celebrating the thirtieth anniversary of the Portland String Quartet in 1998. Julia specifically wanted a large-sca

Song Length 6:32 Genre Classical - Classical

Lyrics

II.
Women, as gates, saying:
"The process is after all, like music:
like the development of a piece of music.
The fugues come back and
again and again
interweave.
A theme may seem to have been put aside,
but it keeps returning?
the same thing modulated,
somewhat changed in form.
Usually richer.
And it is very good that this is so."

A woman pouring her opposites.
"After all there are happy things in life too.
Why do you show only the dark side?"
"I could not answer this. But I know--
in the beginning my impulse to know
the working life
had little to do with
pity or sympathy.
I simply felt that the life of the workers was beautiful."

She said, "I am groping in the dark."

She said, "When the door opens, of sensuality,
then you will understand it too. The struggle begins.
Never again to be free of it,
often you will feel it to be your enemy.
Sometimes
I you will almost suffocate,
such joy it brings."

Saying of her husband:
"My wish I is to die after Karl.
I know no person who can love as he can,
with his whole soul.
Often this love has oppressed me;
I wanted to be free.
But often too it has made me I so terribly happy."

She said : "We rowed over to Carrara at dawn,
climbed up to the marble quarries
and rowed back at night. The drops of water
fc!l like glittering stars
from our oars."

She said: "As a matter of fact,
I believe
that bisexuality
is almost a necessary factor
in artistic production; at any rate,
the tinge of masculinity within me
helped me
in my work."

She said : "The only technique I can still manage.
It's hardly a technique at all, lithography.
In it
only the essentials count."

A tight-lipped man in a restaurant last night
saying to me:
"Kollwitz? She's too black-and-white."

Music Tom Myron Performance Patricia Green, mezzo-soprano & The Potomac String Quartet
This track is on 1 Member Playlists
Playlist Creator Playlist Name Date Added
art teacher My Top Songs 4/25/2016

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